The Three Amigos

slowartday:

Magnus Gjoen

Magnus Gjoen’s prints examine how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. The latter which is capable of creating immense beauty but also capable of destroying it all. Taking inspiration from street and pop art and juxtapositioning it with fine art, he creates new and modern takes on old masterpieces or manipulates something powerful and strong into something fragile but beautiful. He often questions the correlation between religion, war, beauty & destruction in his art. Magnus Gjoen was born in London to Norwegian parents and studied design in London and Milan and works as a designer/graphic designer for Vivienne Westwood. (via)

(via takethegodlymedicine)

wtfirms:

Blow glass by Charles Lotton 

Some of the most amazingly beautiful glass. I don’t value his work simply because I work for him but because I know how much effort and passion he puts into each and every piece. Truly inspiring. I feel blessed selling his work.

www.lottongallery.com

mydarkenedeyes:

Jean Marc Gady - Ammo

Ammo is a vase that plays with imbalance and illusion. Time seems to have fixed this scene that defies the laws of gravity. A large glass container is balanced on a pedestal like a cannon with flowers as ammunition.

Via My Modern Met.

(via spikeourk33)

ticklr:

beautiful 

gracewashko:

“The symbolic forms which Mr. Betts has evolved through his system of Representation resemble, when developed in two dimensions, conventionalised but very scientifically and beautifully conventionalised leaf-outlines. When in more than two dimensions they approximate to the forms of flowers and crystals. …. The fact that he has accidentally portrayed plant-forms when he was studying human evolution is an assurance to Mr. Betts of the fitness of the symbols he has developed, as it affords presumptive evidence that the laws he is studying intuitively admit of universal application.”

alecshao:

Beili Liu - The Mending Project (2011)

“…Hundreds of Chinese scissors suspended from the ceiling in a shimmery cloud. The piece involved the artist sitting at a small black table, hand-mending patches of fabric together which visitors were encouraged to cut themselves near the entrance. As the performance continued, the piece grew as one continuous cloth and lay spread on the floor.  

The hovering mass of the downward-pointed scissors represent the distant fear and looming violence present in today’s cultural climate. The sharp blades above the artist are put in contrast by the silent and simple act of mending. The dichotomous result of the instant fear superimposed with the calming effect of the sewing created a surreal atmosphere in the room.”

(Source: likeafieldmouse, via jcm638)